Eric Bloom Blue Oyster Cult School of Visual Arts
| Eric Flower | |
|---|---|
 Bloom in 2016 | |
| Background information | |
| Nascence name | Eric Jay Bloom |
| Born | (1944-12-01) December i, 1944 Brooklyn, New York Metropolis, U.S. |
| Genres | Hard stone, heavy metal, psychedelic rock |
| Occupation(s) | Musician, singer, songwriter |
| Instruments | Vocals, guitar, keyboards |
| Years active | 1966–present |
| Labels | Columbia, CMC |
| Associated acts | Blue Öyster Cult |
| Website | ericbloom |
Eric Jay Bloom (born December 1, 1944) is an American musician, singer and songwriter. He is best known equally the co-lead vocalist, guitar and keyboard/synthesizer histrion for the long-running band Blue Öyster Cult, with work on more than 20 albums. Much of his lyrical content relates to his lifelong interest in science fiction.
Early life and education [edit]
A native New Yorker, Bloom was born in Brooklyn, the youngest of three children, and grew up in Queens. His female parent was a housewife, active in local charities and family unit life. His male parent ran a picture frame and print company in Manhattan. Bloom attended JHS 216 (George J. Ryan Junior High School), and so moved on to Woodmere Academy and Cheshire Academy in Connecticut.[1] Information technology was there that he purchased his first guitar, a $52 Harmony concentrated electric.
After graduating from Cheshire Academy in 1962, he went to Spain for the summer, studying at Menendez Pelayo University in Santander, earlier starting college in the fall.[ citation needed ]
Blossom, known every bit "Manny" Bloom in college, attended Hobart College in Geneva, New York, studying modern languages. In 1964, he left early to work for a family car-importing company, but he returned a yr after, partially out of concerns that if he was not in school, he would be picked upwardly in the Vietnam draft.[ commendation needed ]
In college, Blossom was involved with the casual forming of a couple of short-term bands for playing at local venues. One of these was Rick and the Ravons (Bloom being Rick). He also organized music for various fraternity parties. For one of them, he hired a band that later on asked him to join. They renamed information technology as Lost and Plant, with whom he performed off and on for a few years. The ring was composed of George Faust on guitar, John Trivers on bass, Peter Haviland on lead guitar, Jeff Hayes every bit drummer, and Flower singing.[ citation needed ]
In 1963, Bloom was likewise exposed to the music of Wilmer and the Dukes, who made a profound impression on him. He attended over 100 of their performances, and he and his band Lost and Institute opened for them when they came to play at Hobart. Other major influences were James Brown, and Ronnie James Dio.[ citation needed ]
In Bloom's senior year, he was encouraged by his friends to join their Tau Kappa Epsilon fraternity. He as well institute himself volunteering to do sound technology at local college events (such as a operation by Iron Butterfly), simply because he could not stand how bad the sound was. It was through his efforts that the college finally updated to a amend sound system, after he graduated in 1967 (receiving a BA in modern languages).[ citation needed ]
Career [edit]
Summertime of Dear: 1967 [edit]
After higher, Bloom toured with the band in upstate New York (he was the simply one who had a van to ship equipment). The band had some membership changes and was renamed as Stone Garden. They made one effort to tape a unmarried but could not country a contract, and then they continued on with alive performances and cover tunes, until the band broke up in July 1967.[ commendation needed ]
Though Blossom had applied and been accepted for graduate school at San Diego State University, he decided instead to spend the Summer of Love of 1967 as a drifter, pan-handling or selling sketches for $1 in Provincetown (P-town), Cape Cod, until he got a task washing dishes.[ citation needed ] On Labor 24-hour interval, his college friend Trivers invited him to perform in Clayton, New York the next night. Despite the short detect, Flower packed up and left Provincetown for expert. Lost and Found re-formed and played through the rest of the flavour.[ citation needed ]
Soft White Underbelly: 1968–1971 [edit]
Soft White Underbelly promo, December 1968
In 1968, Blossom moved to Plainview, Long Island to live with his sister. He obtained a task at Sam Ash Music in Hempstead, selling music equipment.[ citation needed ] One mean solar day in late 1968 some members of the band Soft White Underbelly, Donald Roeser (later Buck Dharma), Allen Lanier and Andrew Winters, entered the store. Ane of them spotted a photo that Bloom had put up as a joke—he had placed an 8x10 glossy of his old ring Lost and Found upward on the wall with all the major bands such as the Rolling Stones and The Who. One of the SWU members recognized it because Les Braunstein, their lead singer, had also been a Hobart College alumnus, and had told his bandmates about the other college band. As Blossom talked with them about the photo, they struck up a friendship. Bloom ended upwards doing some audio engineering for them at the Electric Circus in Greenwich Village, and they mutually impressed each other enough that in November 1968, the band's manager, Sandy Pearlman, asked if Bloom would similar to become their tour managing director. Flower moved into the grouping's house in Great Neck, New York in December 1968.[2] [3]
Bluish Öyster Cult: 1972–present [edit]
In April 1969, when lead singer Braunstein dropped out of the group, Flower became the ring'due south vocaliser. The band went through several name changes, simply in 1971 settled on Blue Öyster Cult. Their first album was released past Columbia Records in 1972, and they were voted "All-time New Band" past Creem mag.[ citation needed ]
In 1976, their platinum anthology Agents of Fortune with its hitting "(Don't Fear) the Reaper" launched the band into international fame, though that particular song was sung and written past lead guitarist Cadet Dharma. Both Creem readers[iv] and Rolling Rock critics [5] voted "Don't Fear the Reaper" equally the top single of the year.
Bloom bought his own firm in Great Neck in 1976, where he still resides to this twenty-four hour period.[two]
Bloom performing with Bluish Öyster Cult
Bloom has been ane of the longtime members of the band throughout the decades, along with original member Buck Dharma (it is estimated that they take given over four,000 live performances[ commendation needed ]). He has co-written many of the band'southward songs, and often collaborates with writers both inside and outside the music industry.[ citation needed ] Blossom is credited equally playing "stun guitar" on some Bluish Öyster Cult works, a term the ring uses for the baloney sound of his rhythm guitar.[vi] [7]
Outside work [edit]
Bloom is known for being an avid reader, especially science fiction and fantasy novels. He once sent a fan letter to English language scientific discipline-fiction author Michael Moorcock, and then collaborated with him on three songs. "Black Bract" was written from the point of view of Moorcock's Elric graphic symbol, and the other two were "The Slap-up Sunday Jester" and "Veteran of the Psychic Wars", the latter of which was used in the original Heavy Metallic movie. In 1987, Blossom and Moorcock performed the vocal live at the Dragon*Con convention in Atlanta, Georgia.[ citation needed ]
Flower as well collaborated with writer Eric Van Lustbader on the song "Shadow Warrior", and in 1998, 2001 and 2020 with cyberpunk writer John Shirley on the Sky Foreclose', Expletive of the Hidden Mirror and The Symbol Remains albums.
In 2006, Bloom began a partnership with artist Philippe Renaudin, to create and sell six elaborately painted custom-fabricated guitars, each one of which interprets a different Blue Öyster Cult song, and each of which was played during BÖC performances.[8]
References [edit]
- ^ [1] Archived February 21, 2006, at the Wayback Automobile
- ^ a b Knopper, Steve (October 26, 2012). "Blue Oyster Cult'south 40th anniversary CD". Newsday . Retrieved January 25, 2020.
- ^ Konig, Susan (March 12, 2000). "Blue Oyster Cult Hoping for a Resurgence". The New York Times. ISSN 0362-4331. Retrieved January 25, 2020.
- ^ "Creem Magazine Reader Polls (1973–77, 79–lxxx)" (PDF).
- ^ "500 Greatest Songs of All Time". Rolling Stone.
- ^ Sleazegrinder (August ane, 2014). "Blue Öyster Cult: 'They wanted united states to exist the American Black Sabbath'". Louder Audio . Retrieved May three, 2022.
- ^ Moseley, Willie Chiliad. (Baronial 1998). "Cadet Dharma, Regarding the Reaper and Other Recollections". Vintage Guitar . Retrieved May 3, 2022.
- ^ "Art Guitars: Series ane". Ericbloomguitars.com. Retrieved September 27, 2010.
External links [edit]
- Official website
- Eric Bloom Guitars – Bloom's 2006 series of custom guitars
- 1996 interview
- Classic Stone Visited – Bloom interview
Source: https://en.wikipedia.org/wiki/Eric_Bloom
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